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American Heritage MagazineJune 1955    Volume 6, Issue 4
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READING, WRITING and HISTORY


 

Not with a Bang but a Whimper

By BRUCE CATTON

When an empire falls apart the cracks usually can be seen ahead of time. There may never be an actual crash—a moment of final disaster of which, long afterward, men can say definitely: Here is where it all ended. Instead there is likely to be a long period in which things just don’t seem to go right. We may not see the fabric coming unstitched, but we do begin to notice that a good many big jobs are held by rather small men. There is a failure here, a piece of bad luck there, a cumulative deterioration in the way society works. It may not seem like much at the time, but afterward it is clear that what we thought was just a shutter banging in the wind was the noise of the house coming down.

Not without reason, this sort of thing tends to have a morbid fascination nowadays; and an excellent case history on the clinical symptoms which a dying empire can display is provided in James Duffy’s compact little book, Shipwreck and Empire.

Mr. Duffy threads together a string of unfortunate accidents which befell the Portuguese sea-carrying trade in the century beginning around 1550, shows how and why these marine disasters took place, and presently demonstrates that they were not simply an unrelated set of tragedies. They were the fatal symptoms of the slow death of Portugal’s great maritime empire, they took place because the spirit was leaving that empire, and what everybody took for no more than a run of bad luck was actually the process of decay and dissolution.

Portugal had been a great seafaring nation. Her navigators explored the eastern Atlantic, prowled far down the African coast, and at last doubled the Cape of Good Hope; they went on, over seas of wonder and peril, to open the fabled islands of the Far East, and they won for Portugal a maritime empire of remarkable wealth and solidity. The empire was based on places whose very names have magic: Goa, and Macao, the coast of Malabar, Calicut and Mozambique and—a name for the book, if ever there was one—Ormuz. By the middle of the Sixteenth Century this was one of the great empires of the world.

This empire had a glitter and a ring to it, and it had been built by hardy soldiers and by sailors of almost fantastic daring and endurance; but at bottom it was a commercial empire, the merchant followed the explorer—in the very next ship, usually—and the tiny kingdom of Portugal suddenly found itself right in the middle of a rich new trade that was expanding beyond anything men had ever dreamed of. There was gold from Africa, cotton from India, pepper and ginger and cinnamon and the other spices from the coasts beyond the sunrise, the rich fabricated goods of China and all the Orient, pouring wealth into a small country that was almost totally unprepared to handle it. Commerce was not in style, in Portugal. Nobility and bourgeois alike felt above mere trade. The administrative ability required to conduct such a far-ranging empire was lacking; a chronicler of those days, remarking on the enormous distances that separated Portugal from its farthest outposts, remarked that the cities and possessions of empire “are such scattered pieces of the world that the face of the sun would not shine upon them all if it did not travel so many thousands of leagues in its circular journey.”

So while it still seemed most imposing and wealthy, this sea empire began to come apart. The first ominous sign, as Mr. Duffy points out, was in the series of disasters that came upon its carrying trade.

More and more, there were shipwrecks. A tall, fullbreasted ship would clear from some Oriental port, so deeply laden with goods that crates and bales would lie on the open deck, listing crazily as likely as not because the urge to stuff all possible merchandise into the hold had prevented proper stowage. It would drop down across the Indian Ocean, come up to the stormzone around the southern tip of Africa, and then would run into trouble, with a crash landing on the east African coast as a probable climax. Ship and cargo would be lost, and after weeks or months a few survivors would come straggling back to some lonely African seaport to await passage home, telling a tale not merely of tragedy but of the collapse of seamanship, of morale and of society itself.

For in these shipwrecks the naked law of survival for the strongest prevailed. The captain was rarely the last man to leave the sinking ship; as likely as not he was the very first, accompanied by his officers and the most important passengers. Sailors and slaves and ordinary seafarers might drown by the score and the hundred, but the powerful and well-armed would somehow get ashore. A ship carrying hundreds of people might have just one lifeboat; when wreck occurred the officers and the most favored passengers would get in it and go away, tossing overboard any lesser mortals who encumbered the craft, fighting for self-preservation with a ruthlessness that defied all of the great traditions of the sea. Once ashore, with a jungle march of hundreds of miles lying ahead, the weak would simply be discarded. Men who could buy or fight their way through might survive; the others would die, and no one gave them a second thought.

Mostly, these shipwrecks were avoidable. The Portuguese knew how to build fine ships for overseas voyages, and they had good men to sail them; the trouble was that unseaworthy oversized vessels (hastily built, and hence poorly built, because time meant a great deal of money) were preferred because more cargo could be crammed into them. The homeland kingdom was so over-extended that its stock of good seamen was running thin. The skipper had little to say about how his ship was loaded or when it should sail. Laws intended to make navigation safer were gaily disregarded. The individual merchant was all-powerful; nothing mattered but his desire to have a ship carry the last ounce of cargo that could be got aboard, even if part of it (as very often happened) had to be tossed overboard in the first mild gale of wind.

So there developed a sad history of shipwrecks, and a whole Portuguese literature dealing with them, and it is with these stories that Mr. Duffy is concerned. He tells some fine tales of marine disaster here, but he is not primarily out to spin a set of hair-raising tales. He is actually tracing the decline of an empire. This sea trade fell into tragedy, he remarks, because of the extent to which “the moral stamina of the Portuguese had diminished. Shipwreck was one dramatic manifestation of a general decline.” The great sea empire was coming apart, even while it seemed to be at its zenith. There was no sudden crash; just a chain of accidents, with greed and recklessness replacing the great skill and daring of the old days. All anyone could see was a series of shipwrecks, but a society was in decay. The world does sometimes end, not with a bang but a whimper.

Shipwreck and Empire, by James Duffy. Harvard University Press. 198 pp. $4.


 

The Creative Imagination

By BRUCE CATTON

Just where and how are the novelist’s skills useful to the historian?

Some of them, obviously, the historian picks up only at the risk of his professional integrity. The bestseller lists in years past (to say nothing of the longer list of books which aimed at that target and missed) are full of distressing examples of “fictionalized” history, “reconstructed” events for which there can be no documentation, conversations invented to fit historic situations, accounts of thoughts and emotions which imaginative writers have put into the heads of historic characters. For all of these, in works which claim anyone’s serious attention, there can be no real justification.

Yet there is one talent which the historian can properly borrow from the novelist—namely, mastery of the art of communication via the written word. When he is addressing the general reader this is a talent which he desperately needs. At the very least, he wants the reader to stay with him while he tells his tale; he wants, in short, to be read. To be read he must be interesting.

Part of this talent consists in the ability to handle the English language skillfully. A greater part, perhaps, lies in a properly disciplined use of the creative imagination. Not (be it said quickly) the imagination that embroiders or touches up the sober facts; rather, the kind that can honestly re-create the past, so that the reader knows that he is reading about flesh-and-blood people in real situations. That imagination can work hand in hand with adherence to the most literal truth. It invents nothing; its sole function is to enable the reader to see and feel.

A fine example of the way this can be done is provided in Bruce Lancaster’s From Lexington to Liberty, which is an account of the American Revolution, told for the general reader. If there is one chapter in the American story, of course, which everyone knows about, it is this one. We start getting it in grade school and we keep on getting it year by year thereafter, and it is a tale that has been told many, many times. Just because of its familiarity it can easily become excessively stale.

But Mr. Lancaster makes it fresh and alive, almost as if it were a brand-new story being tackled for the first time. And he succeeds in doing this simply because he does have that novelist’s talent—the ability to feel and to communicate. He takes no liberties with his facts, but he does tell his story in such a way that you want to stay with it. You feel: Yes, this is how it was—and the old familiar story comes to life.

It’s a good trick if you can do it. Mr. Lancaster can do it, and the result is an absorbing and useful book.

From Lexington to Liberty, by Bruce Lancaster. Doubleday & Company. 470 pp. $6.


 

The Unpronounceable Man

By BRUCE CATTON

Somebody once called Ulysses S. Grant “the unpronounceable man,” and the phrase will do until a better one comes along. This little chap was a man you couldn’t quite figure, somehow—seemingly uninspired, ordinary as an old shoe, a straightaway plodder who undeniably liked to drink more than was good for him . . . and yet, at the same time, a fascinating and complex person with flashes of genuine brilliance, who belongs finally, faults and all, in the gallery of great Americans.

Earl Schenck Miers examines six months of Grant’s career in an uncommonly rewarding book, The Web of Victory, which is a detailed study of Grant’s Vicksburg campaign.

Miers presents Grant at the beginning of 1863, when he came shambling unobtrusively off of a transport a few miles above Vicksburg to take charge of a campaign that by all indications was headed for failure. A few G.I.’s saw him, were highly unimpressed, and muttered: “Hell—he’s no soldier.” He sat in his tent and chewed half-length cigars, while people denounced him as a drunken failure and his soldiers complained about the army, about life on a flooded Mississippi levee, and about the general idea of having a war at all. Then, at last, U. S. Grant made up his mind.

What followed was one of the most “brilliant” campaigns of the entire war. The story has been told a good many times: how Grant went downstream, bypassing the Vicksburg batteries, marched inland to the capital of Mississippi, kept Confederates Joe Johnston and John Pemberton from combining against him, forced Pemberton to take his army back into the Vicksburg lines, and wound up by capturing city, general and army en bloc—a stroke which, more than any other single thing, determined how the war was going to go. But if this is a familiar story, it has never (in this writer’s opinion) been told better than Mr. Miers tells it here.

For Mr. Miers has done two excellent things. For one, he has kept the ordinary soldier in the forefront of his narratives. His wearing marches and desperate battles are not mere exercises out of a textbook, in which inanimate inked blocks move here and there across a bloodless map. They are things that involved living, breathing men, and the price which the marches and battles exacted of those men is never lost to sight. In addition, he has shown this campaign, not as a freakish bit of brilliance incomprehensibly emanating from a dull and essentially uninteresting general, but as something that came naturally out of the person Grant was. This, in other words, was not just Grant on one of his good days: this was Grant. This bold and dazzling achievement flowed out of the little man who was a great deal bigger than he seemed to be, and perhaps the legends about Grant need a lot of revision.

He drank too much? To be sure: but, somehow, not when the chips were down. He was more of a person, in fact, than people figured, then or now, a warm and immensely interesting man who is well worth knowing. Mr. Miers has written a wholly charming and readable book about a most remarkable American.

The Web of Victory, by Earl Schenck Miers. Alfred A. Knopf. 320 pp. $5.


 

The Great Crevasse

By BRUCE CATTON

John Charles Frémont was one of the those skyrockets that arch up across the American sky now and then—a wild quick climb, a dazzling shower of sparks, and then a headlong plunge down into the darkness. Seen from a distance, the man seems to have had a minimum of solid substance, so that it is hard to understand what people used to see in him.

Yet he burned with a bright light once. Many men believed in him passionately, and not all of them were innocents who gave their faith to men without stature. (There was Kit Carson, for instance.) If he did not precisely open the West, he made Americans aware of it, he put a gloss and a shine on it, he helped stamp the consciousness of a continental destiny on the American mind. A little later his name became part of a drum-beat rhythm . . . Free soil, Free men, Frémont! . . . and if, in the end, he was not the man the time of drums called for he at least had been a rallying point for men greatly in earnest.

He was an interesting man, in other words; and one of the interesting chapters in his career is reviewed in William Brandon’s The Men and the Mountain, which is the story of Frémont’s fourth, and disastrous, Rocky Mountain expedition in 1848.

Frémont was trying to chart a railroad route to California. The country badly wanted such a route, but under the rising tensions of the approaching Civil War the North and South were acutely jealous and suspicious of each other, and neither section would consent to a route which seemed to favor its rival. St. Louis, as an eastern terminus, might be a good compromise point; so Frémont, strongly backed by his father-in-law and political sponsor, Senator Thomas Hart Benton—but definitely not sponsored by the U.S. Government—set out from St. Louis to blaze the way.

He was a man in trouble, just then, and he needed to redeem himself. His part in the conquest of California had ended badly; the army had court-martialed and dismissed him for refusing to take orders from General Stephen Kearny, and for Frémont—a romantic if there ever was one, and possibly a little headlinehappy to boot—it was above all things important to perform some new deed that would restore all of his lost glory. He would head west, straight across the middle of the Colorado Rockies; further, to show that the route was feasible for year-round rail travel, he would make the trip in the middle of the winter. So he got together a group of 35 men, including some first-rate mountain men, and set out.

Unfortunately, he was heading into the most tangled set of mountains in the United States, and he had picked one of the worst winters in history. His party got up to the Continental Divide, bogged down in snow and utterly impassable landscape, ate all of its mules and most of its moccasins, and then disintegrated in wholesale misery, with the loss of ten lives. As a picture of men beset by the elements and fighting their way through to survival against incredible odds, the story is one of the striking chapters in American westward exploration.

But Mr. Brandon makes it more than that. He is chiefly interested in Frémont himself, the romantic who pursued a dream into the mountains. What happened to this romantic who risked three dozen lives to redeem his lost reputation and ran headlong into failure and abject defeat?

What happened to him, Mr. Brandon makes clear, was pretty much what happened to the party as a whole: a moral disintegration, born not so much of physical hardship as of the consciousness of failure. For, says Mr. Brandon: “To the unfortunate romantic when he fails as he must to live up to his imaginative ideals the world becomes all a despised place and only fit for unworthiness. Very likely unrealistic romantic ideals have tripped up far more lives than have difficult realities. They play a strange role in the drama of human happiness, such ideals, forever lifting up and hurling down, Lucifer’s fall re-enacted in continuous performance. It might be they are the gentleman himself.”

So Frémont blamed the mountain men who were with him, blamed the party as a whole, and complained of men who had endured the very ultimate: “I have never seen men so soon discouraged by misfortune.” He had won fame on his earlier expeditions, this one had been a sad fizzle, the fault must lie in the men he led: “This party was not constituted like the former ones.” He even alleged that Old Bill Williams, the famous mountain man who had been his guide, had deliberately misled him; and with this, says Mr. Brandon, “Frémont at last sounded the rock bottom of the crevasse that had been opened in his soul.”

Well, Frémont and most of his men finally got out of the mountains, Frémont went on to California—by the safer, well-charted southern route—and by the time he got there the world had changed. The gold boom was on, a worthless ranch Frémont had bought earlier was a bonanza, and in a short time Frémont was a millionaire, a U.S. senator, and a man on his way to be nominated for the presidency. He had great days ahead of him, and more great failures; but nothing, apparently, quite like what happened to him in the Colorado Rockies in the dreadful winter of 1848.

The Men and the Mountain, by William Brandon. William Morrow & Co. 337 pp. $5.


 

Current Books in Brief

By BRUCE CATTON

The Great Reconnaissance, by Edward S. Wallace. Little, Brown & Co. 288 pp. $5.

This book is principally a retelling of the exploratory expeditions made in the Far West by that nowvanished organization, the Army Corps of Topographical Engineers. The work began with a lengthy survey of the U.S.-Mexican border as it was established by the war with Mexico, continued on with various attempts to chart routes for transcontinental railroads, included the first surveys of the Grand Canyon region, and wound up with the entertaining and potentially valuable attempt to make the camel a beast of burden on the southwestern deserts. Altogether, these explorations were done competently and with a minimum of the kind of accidents that make headlines, and Mr. Wallace has provided a readable account of an interesting and little-known chapter in American history.

Humboldt: The Life and Times of Alexander von Humboldt, by Helmut de Terra. Alfred A. Knopf. 386 pp. $5.75.

Baron von Humboldt was a fantastic character—a scientist whose range went from geology through meteorology and botany to ethnology, terrestrial magnetism and archaeology—and in the first half of the Nineteenth Century he made himself one of the world’s best-known and must useful citizens. Since he concerned himself with almost everything, roamed from Peru to Tibet and wrote voluminously about his travels, his studies and his casual thoughts, this attempt to get all of the man into one volume occasionally makes him sound like a dilettante. But as a one-man academy of science he had genuine stature, he sparked the imagination of men like Darwin and Jefferson, and he deserved the title Emerson bestowed on him—a “wonder of the world.” This volume offers a compact and exceedingly readable introduction to one of the most influential characters of the Nineteenth Century.

The Assassins, by Robert J. Donovan. Harper & Brothers. 300 pp. $4.

In this book a competent newspaperman considers the seven occasions on which men have either killed or have tried to kill a President of the United States. (The list includes one attack on an ex-President, Theodore Roosevelt, and one on a President-elect, Franklin Roosevelt.) The result is an instructive book, which makes it clear that the Secret Service is fully justified in the elaborate safeguards it throws around our Presidents. It is clear, likewise, that the threat to a President’s life usually comes from lone-wolf crackpots rather than from political conspirators. The Booth conspiracy (itself an addle-brained plot if there ever was one) and the effort of the Puerto Rican terrorists to kill President Truman appear to have been the only cases with real political motivation; the real danger usually comes from the deranged fancies of some individual.

Wilderness Messiah: The Story of Hiawatha and the Iroquois, by Thomas R. Henry. William Sloane Associates, Inc. 274 pp. $4.

A veteran newspaperman and Pulitzer Prize winning reporter, Mr. Henry here turns his attention to the remarkable people who made up the famous Iroquois federation and produces a highly informative and interesting book for the general reader. He gives these Indians substantially higher marks for cultural attainments and general behavior than tradition usually gives them, considers that their amazing confederation actually had substantial influence on the men who devised the Constitution of the United States, and paints a highly sympathetic picture of them. The aboriginal Iroquois must have made highly uncomfortable neighbors, but they rank among the most fascinating of all the Indian tribes and Mr. Henry has written a solid, readable book about them.

The Indian and the Horse, by Frank Gilbert Roe. The University of Oklahoma Press. 434 pp. $5.

In this volume, directed at the student rather than at the general reader, Dr. Roe conducts an exhaustive examination of the relationship between horse and Indian, particularly on the Western Plains, with especial attention to the questions: When and how did the Indians acquire horses, and what did that acquisition do to them? They got them, of course, from the stocks the Spaniards brought over early in the Sixteenth Century; Indians in New Mexico had them by 1600 or thereabouts, and tribes in the Dakotas, Montana and Canada appear to have obtained them before 1750. Dr. Roe dissents vigorously from certain accepted theories about the results of this development. The horse, he insists, did not make nomads out of the Plains Indians; they were nomads to begin with, and the horse merely extended their range. Nor did the horse, in his opinion, cause the inter-tribal wars that marked plains life; like the habit of wandering, the habit of raiding one’s neighbor and contesting for good hunting grounds was already in existence, and possession of the horse merely stepped up a practice of long standing.

The Great Crash: 1929, by John Kenneth Galbraith. Houghton Mifflin Company. 212 pp. $3.

In this sprightly re-examination of the great 1929 crash, Mr. Galbraith conducts a study of the speculative mania which from time to time takes possession of human society, and while he does put Wall Street under the microscope he is not hunting for any particular villain or set of villains who led America astray. As he remarks, the world is inhabited, “not by people who have to be persuaded to believe, but by people who want an excuse to believe.” In 1929 and the years just before, general economic conditions provided the excuse. There was a solid industrial boom; and, as Mr. Galbraith notes, “at some point in the growth of a boom all aspects of property ownership become irrelevant except the prospect for an early rise in price.” So the speculative mania ran wild, there was a market crash, and—as the author insists—it took place in an economy which was fundamentally unsound, and hence was vulnerable to sudden shocks. The great depression was a logical result.

The Parkman Reader, selected and edited, with an introduction and notes, by Samuel Eliot Morison. Little, Brown & Co. 532 pp. $6.

Francis Parkman was perhaps the greatest historian America has produced. In this book Dr. Morison has selected chapters from his books, given them unobtrusive editing and annotation, and presented them so that the general reader may get a solid and cohesive sampling of the man’s work. The result is a book of very substantial value and interest, not the least appealing portion of which is Dr. Morison’s introduction, which sketches in Parkman’s career and provides a brief critique of his writings. Plagued with frail health and extremely defective eyesight, and (by his own statement) loathing “the drudgery of historical research,” Parkman traveled the West at a time when such a trip was arduous, uncomfortable and not altogether safe, burrowed relentlessly into his sources, and came up with a marvelous account of the early American Indian tribes and the struggle between the French and British for North America—an account which is still authoritative and which present-day readers will find eminently readable.

Doc Holliday, by John Myers Myers. Little, Brown & Co. 287 pp. $4.50.

The western gunman was undoubtedly one of those American creations whose entertainment value increases with the distance. Seen at close range, he must have been a highly difficult person to get along with; a generation or two removed, however, he appears as an amusing and glamorous fellow, a fit subject for novels, moving pictures and straight biographies. Here is one of the gaudiest of the lot—Doc Holliday, the wispy and consumptive little dentist who went west when the West was really wild, turned from dentistry to gambling, and became one of the most accomplished killers of an era that boasted some real artists in that line. He was equally at home with the revolver, sawed-off shotgun and bowie knife, he was vaguely on the side of the law in some of his more startling adventures, and in the end he died quietly in beddowning a water glass full of whiskey, smiling, remarking “This is funny,” and then passing on in peace. Whatever his contemporaries may have thought of him, from this distance he seems to have been an engaging sort of killer.


 

A Check List of New Books

By BRUCE CATTON

The Virginia Exiles, by Elizabeth Gray Vining. J. B. Lippincott Company. $3.95.

A novel about 23 Pennsylvanians, who during the Revolution were banished to Virginia because they refused to subscribe to a loyalty oath.

Andrew Jackson: Symbol for an Age, by John William Ward. Oxford University Press. $5.

The mind of Nineteenth-Century America is explored in this book which is more of a study of Jackson’s time than of the man himself.

The Federalism of James A. Bayard, by Morton Borden. Columbia University Press. $3.75.

This biography of the prominent Federalist James A. Bayard of Delaware (1767-1815) brings to light many facets of Federalist politics.

The Life and Adventures of Joaquín Murieta, by Yellow Bird (John Rollin Ridge), with an introduction by Joseph Henry Jackson. University of Oklahoma Press. $2.

An original account of the exploits of the famous California bandit, written 100 years ago by an imaginative Cherokee Indian.

The American Frontier: Our Unique Heritage, by Nelson Beecher Keyes. Hanover House, $3.50.

The story of our frontier from the days of the first Norsemen to the admission of Arizona as a state.

The Concise Encyclopedia of Antiques, compiled by The Connoisseur. Hawthorn Books. $8.95.

Written by twenty of the world’s best-known authorities and covering a wide variety of subjects, this invaluable guide is also profusely illustrated.

American Political Thought, by Alan Pendleton Grimes. Henry Holt & Co. $6.

A well-organized account of American political thought from Colonial times to the present, stressing the post-Civil War period.

Forgotten Leaders of the Revolution, by Howard Swiggett. Doubleday & Company. $4.

A composite biography of some of the extraordinary men who led the Revolution and built the young Republic and then, for one reason or another, faded into oblivion.

Government by Investigation, by Alan Earth. The Viking Press. $3.

A searching inquiry into the rights and wrongs of congressional investigations, past and present.

The Devil’s Pretty Daughter and Other Ozark Folk Tales, by Vance Randolph. Columbia University Press. $3.75.

This new collection of stories was transcribed on the spot by the author and is presented in true Ozarkian style.

John Maynard Keynes, by Seymour Harris. Charles Scribner’s Sons. $3.

A balanced and incisive study of Keynes’ theories which, after 35 years, continue to be potent and much-debated.

The Nation and the States, Rivals or Partners?, by William Anderson. University of Minnesota Press. $3.75.

A discussion of the issues involved in current controversies over federal grants-in-aid, states’ rights, overlapping taxes, and other aspects of the problem of balance of governmental power.

The Explorers of North America: 1492-1806, by John Bartlet Brebner. Doubleday Anchor. $1.25.

Since its original appearance in 1933 this book, now issued in paper-back, has served as one of the definitive accounts of the opening up of the North American continent.

Gilbert Stuart, by James Thomas Flexner. Alfred A. Knopf. $2.50.

A skillful and frank appraisal of America’s greatest portrait painter.

The Margaret Sanger Story, by Lawrence Lader. Doubleday & Company. $4.

The story of the colorful, dynamic woman who became the champion of birth control, and the great crusade she waged.

Henry George, by Charles Albro Barker. Oxford University Press. $9.50.

Not only a biography of one of America’s most exciting social thinkers, but also an intellectual and emotional history which vividly re-creates the atmosphere of mid to late Nineteenth-Century America.

The Great Merchants, by Tom Mahoney. Harper and Brothers. $3.95.

A history of twenty great retail enterprises and the personalities of the men and women who made them.

John Sloan: A Painter’s Life, by Van Wyck Brooks. E. P. Dutton & Co., Inc. $5.

The life of a great American artist, as well as a record of a period of far-reaching change and growth in our national art.

Heroines of Dixie: Confederate Women Tell Their Story of the War, by Katharine M. Jones. Bobbs-Merrill Co., Inc. $5.

The story of the war told chronologically in the letters and diaries of various southern women who lived through it.

The Twenties: American Writing in the Postwar Decade, by Frederick J. Hoffman. The Viking Press. $5.

A thorough examination of the “Jazz Age” in which, paradoxically, some of our most remarkable creative writing was produced.

Steel Trails and Iron Horses: A Pageant of American Railroading, by Lamont Buchanan. G. P. Putnam’s Sons. $3.95.

From yesterday’s woodburners to the Diesels of today, with selected highspots from the exciting history of railroading and illustrated with more than 185 pictures.


 
 
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