American Heritage MagazineDecember 1960    Volume 12, Issue 1
READING, WRITING, AND HISTORY
 

Defeating the Enemy

By BRUCE CATTON

One of the benefits that come from the study of history, which after all is nothing more than the examination of assorted human lives, is the recurrent discovery that the human spirit is basically unconquerable. This is revealed in big ways and in little ways—in the story of a nation, and in the story of a single individual—and wherever it is met it is like a bright light glowing in the dark. Simple strength of will can win over the longest odds. Wish hard enough and what you wish for can come true. Possibly the moral, if a moral must be looked for, is that the dreams we serve had better be lofty; some day they may turn into realities.

One is bound to indulge in some such reflections when one examines the career of the greatest of all American historians, Francis Parkman. This man, who combined the very best in professional capacity and dedication with the talents of a superlative literary craftsman, pulled himself up by his own bootstraps. He had all the gifts a historian could wish for, but he also had handicaps enough to destroy all that had been given him. What finally made him and his work imperishable was nothing less than strength of will. Sheer determination beat the odds.

A good way to see what this man was like, and to understand how he did the splendid things he did, is to read the assembled Letters of Francis Parkman, edited and given a very fine introduction by Wilbur R. Jacobs. Covering the long span from his late teens in 1841 to the autumn of his death in 1893, these letters show Parkman driving on relentlessly to do, finally, what he set out to do—to describe the conflict in colonial America of English, French, and Indians which laid the foundation for the American nation, and to do it so accurately and with such narrative skill that no one since then has had to cover the same ground.

He got into this immense project in the simplest way imaginable—because it interested him. As a youth he was bookish, but he also liked the wilderness, hunting, camping, the Indians; and he quickly realized, as he himself wrote, that “these two preferences, books and the woods, could be reconciled, and could even help one another, in the field of Franco-American history. That is why I took it up.” He became, in fact, one of those supremely fortunate men who are able to spend their lives doing exactly what they always most wanted to do.

He had certain advantages. He was born a Boston Brahmin, heir to a comfortable fortune. He got, at Harvard, as good an education as the America of that day could provide—he became master of five languages, studied history under the stimulating Jared Sparks, got an excellent grounding in the classics, and all in all was as well prepared for the historian’s task as any young man could hope to be.

Letters of Francis Parkman, edited and with an introduction by Wilbur R. Jacobs. University of Oklahoma Press. 2 vols. 204 & 286 pp. $12.50.

But he had problems. Over and over, his letters refer to his unending struggle with “the enemy”—his own atrocious health; and here he had troubles enough to overthrow all of his advantages. Insistent on being an outdoorsman, he was miserably frail. His eyesight failed him and he nearly became blind, so that during his years of greatest effort he lived in a dim twilight, unable to endure daylight, unable to read—the worst of all handicaps for a man who must examine volumes of semi-legible documents—able to write only by dint of a contrivance of wires to guide his pen, suffering atrocious headaches, compelled at times to believe that he was going mad, made lame by some obscure affliction in his knees. The enemy was always with him, and this enemy was powerful enough to make any ordinary mortal abandon forever the demanding tasks of unending research and careful writing.

Parkman, of course, was not an ordinary man. He made himself do the things he wanted to do, overriding his physical handicaps by simple determination; and he was finally able to write, “If I had my life to live over again I would follow exactly the same course again, only with less vehemence.” The qualifying note should not, perhaps, be taken seriously; the vehemence was at the heart of the matter, and with less of it he probably could not have succeeded.

It comes out clearly in the letters he wrote in 1846, when he went out to old Fort Laramie to see the great migration along the Oregon Trail. Parkman’s “enemy” was at him, just then; his eyes were bothering him, and he was attacked with a miserable digestive complaint that almost incapacitated him. Nevertheless, he wanted to see something of Indian life, and so, with a trapper for company, he rode off into the mountains and spent several weeks in a Sioux village. This was a fairly stiff assignment for a sick man, and he confessed afterward that living on a meat diet was not the best thing for his deranged stomach; during much of the time he was too weak to saddle his horse, and he had to admit that “an Indian village is no place for an invalid.” Still, he saw what he wanted to see, and he noted gaily that “the experience of one season on the prairies will teach a man more than half a dozen in the settlements.”

On a different scale, his struggle with his physical ailments continued during his years of most active work, when he was putting together the classic volumes of France and England in North America. Wholly characteristic is the remark he made after spending a month in seclusion to get treatments for his failing sight. He had had enough idleness, and he was going to go back to work, and “my eyes may go to the devil if they like.” Not for him was what he called “that pallid and emasculate scholarship of which New England has had too many examples.” His frail body might indeed be weak, but there was nothing pallid about the determination that drove it.

He believed that his books owed much to the fact that “their subjects were largely studied from real life.” No historian, however, ever worked more painstakingly with the written sources. Near the end of his life he recalled that his work had involved “a prodigious amount of mousing in libraries and archives,” and he used the same figure of speech to express his professional creed—admiration for “the cool historian mousing among the litter of centuries in search of the truth.” The high literary quality of his own books was of course the result of a conscious striving for literary excellence, and he had the artistic imagination that enabled him to bring men and events of a bygone age into clear focus for the modern reader; but no historian ever insisted more completely that historical writing must always rest on a solid base of scholarship.

In his introduction to this collection of letters Mr. Jacobs remarks that the main figures in Parkman’s books—Pontiac, Frontenac, La Salle, Wolfe, Montcalm, and the rest—”are not remembered primarily because of their accomplishments but because Parkman wrote about them.” True enough; but what a struggle it took to produce those books! The determination that took a sick man into the Indian wilds, and that kept an almost blind man burrowing about year after year in dusty books on the unending quest for facts, seems fully as remarkable and as admirable as the artistic skill that produced enduring classics.


 

Deep-Diving Whale

By BRUCE CATTON

The fields of the historian and the novelist do overlap. In a sense, Parkman had the novelist’s talents —imagination, understanding, a feeling for literary form, a curiosity about the ultimate meaning of the things men do. And Herman Melville, one of America’s greatest novelists, had something of the historian in him, too, which is to say that he wanted to get at the truth of things. Moby Dick remains to this day about as good a history of the old American whaling industry as we are likely to need, and for all of his transcendentalism and his soaring flights of fancy, Melville had all of Parkman’s reverence for hard facts.

Melville revealed himself in his letters, too, and it is worthwhile to let him speak for himself just after listening to Parkman. The Letters of Herman Melville, edited by Merrell R. Davis and William H. Oilman, offers an excellent opportunity to do this. Hear Melville, as he writes to Richard Henry Dana while in the midst of the composition of Moby Dick:

“It will be a strange sort of a book, tho’, I fear; blubber is blubber you know; tho’ you may get oil out of it, the poetry runs as hard as sap from a frozen maple tree;— & to cook the thing up, one must needs throw in a little fancy, which from the nature of the thing, must be ungainly as the gambols of the whales themselves. Yet I mean to give the truth of the thing.”

Lack of a sound physique handicapped Parkman; lack of money was Melville’s curse, and he explained it succinctly: “The calm, the coolness, the silent grassgrowing mood in which a man ought always to compose,—that, I fear, can seldom be mine. Dollars damn me; and the malicious Devil is forever grinning in upon me, holding the door ajar—. What I feel most moved to write, that is banned,—it will not pay. Yet, altogether, write the other way I cannot.” He could lament bitterly, “Though I wrote the Gospels in this century, I should die in the gutter”; and to the wife of a friend he could sum up his greatest book in these words: “Don’t you buy it—don’t you read it, when it comes out, because it is by no means the sort of book for you. It is not a piece of fine feminine Spitalfields silk—but it is of the horrible texture of a fabric that should be woven of ships’ cables & hausers. A Polar wind blows through it, & birds of prey hover over it.”

Melville was driven, just as Parkman was driven, just as any writer worth reading is driven, by the demand of the unfinished job, the insistence that what there is in him to say is going to get said. Like Parkman, too, he could express his artistic creed in a line. Writing to Hawthorne, Melville asked: “Lord, when shall we be done growing? As long as we have anything more to do, we have done nothing.”

The facts the novelist seeks are of course of a different sort than the facts which the historian gropes for, and some of them lie at profound depths. Melville writes about Emerson, to an acquaintance who had found Emerson cloudy, unintelligible, and rather foolish:”—for the sake of the argument, let us call him a fool;—then had I rather be a fool than a wise man.—I love all men who dive. Any fish can swim near the surface, but it takes a great whale to go down stairs five miles or more; & if he dont attain the bottom, why, all the lead in Galena can’t fashion the plumet that will.”

The Letters of Herman Melville, edited by Merrell R. Davis and William H. Oilman. Yale University Press. 398 pp. $6.50.

Melville had books in his brain, as he said—at least fifty of them, he once wrote, all of them half-planned and demanding to be considered separately. Getting them out was a problem, but he had a certain consolation: “I dont know but a book in a man’s brain is better off than a book bound in calf—at any rate it is safer from criticism. And taking a book off the brain, is akin to the ticklish & dangerous business of taking an old painting off a panel—you have to scrape off the whole brain in order to get at it with due safety— & even then, the painting may not be worth the trouble.”


 

From the Frontier

By BRUCE CATTON

Both Parkman and Melville looked for and found the authentic frontier. Parkman saw it at first hand on the western plains, and then went back to an eastern frontier (“mousing in the archives”) and breathed life upon it. Melville found it on the high seas, on whaling ships and on the Navy’s cruisers, and struck sparks from it, making a light for more settled folk in the eastern cities. Each one touched base with something fundamental to the American consciousness, because the frontier for many generations laid its imprint on what the American people thought and did.

Not just the physical frontier, the untamed land peopled by wild beasts and men living in the stone age. The long shadow that comes down from the American frontier—a strange shadow, half darkness and half tantalizing gleams of light—was always more a matter of the emotions and the mind than of simple geography. As much as anything, it was perhaps an attitude toward life—a state of mind, even a state of the heart, a belief that life is both plastic and perfectible, an intense and often inarticulate feeling of kinship and unity with men facing a world which they can shape as they please. As the physical frontier vanished, this feeling declined, so that the truth that was seen beyond the border came to seem a marshfire, flickering with a wholly deceptive light. We got so that we knew too much, and the fact that a good part of our knowledge was itself an illusion only compounded the trouble. Losing the frontier, we lost a source of strength.

Consider, for instance, the case of William Jennings Bryan, who had nothing whatever in common with either Parkman or Melville except that he too saw the light from the frontier and preached about it to his fellow Americans. His “enemy” was neither the illhealth of the historian nor the penury of the novelist; it was the crippling disability of a man born out of his time, speaking earnestly from a text that people have begun to ignore, accomplishing much but never quite being or doing the things he might have been and done. In the beginning he frightened the respectables and in the end he made them laugh, and the respectables may have been somewhat mistaken both times.

Bryan comes out of the shadows in a thoughtful little book, The Trumpet Soundeth, by Paul W. Glad. More a biographical essay than a biography, this book presents Bryan as a man who “was fashioned with forceful affection by the rural society in which he lived and moved and had his being”—a man from the frontier, indeed, becoming a power in American politics at a time when the frontier itself was dead but when its approach to life still had much power.

He was the perfect reflection of the middle-border region; a region, as Mr. Glad remarks, which lived by a religion of the book and the tabernacle, its book being McGuffey’s Reader and its tabernacle the Chautauqua tent. It was intensely moralistic, touched with the still-virile evangelistic spirit of rural Protestantism; its values and its experience stemmed from an earlier and simpler day; and it had a powerful concept of the American mission. It believed in progress and in the improvement of society, and when the condition of American society in the final decades of the nineteenth century came to look like the negation of everything it believed in, it exploded. Bryan very nearly became President of the United States, and although he did not quite make it, he did leave a remarkable imprint on his times.

The Trumpet Soundeth, by Paul W. Glad. University of Nebraska Press. 242 pp. $4.75.

He was not, unfortunately, a powerful thinker. To the end of his days he spoke for rural America in a country that was becoming more and more urbanized, and he followed his emotions rather than his reason. He was, in short, a romantic, turned loose in a land that was becoming more and more cynical about the romantic values. Mr. Glad justly says that Bryan never tried to prove that the “gold ring” and the Wall Street bankers had set out to cheat the honest farmer; “He only saw that the stout-hearted pioneer men and women who had braved the elements in establishing homesteads on the plains were suffering, and relying on his intuition, he concluded that much of their suffering was the result of heartless and callous exploitation.” In this belief there was, to be sure, a certain measure of truth, and Bryan was as sensitive to social wrongs as a revivalist is sensitive to sin. Facing such wrongs, he adopted the revivalist’s solution: he tried to convert America. This was a little more than he or anyone could accomplish.

But he did accomplish quite a lot. Scaring the daylights out of the respectables, he compelled them to adopt a good part of his program. He failed to change the structure of American politics, but he at least changed its tone. Warring with the Republicans and with many of his fellow Democrats, he did a great deal to keep both parties from trying to carry the nineteenth century forward into the twentieth. As Mr. Glad points out, in his years in the opposition Bryan did, after all, raise and argue “some questions that were vital to American democracy—some questions that urgently needed raising.” His specific answers to specific problems might be meaningless, as was the case with free silver, but through “his incessant preaching of middle western moralism” he at least helped enable the country to make its adjustments to the new age without ruthlessly sacrificing all of the old values.

“The Commoner’s progressivism,” says Mr. Glad, “was founded not on political contrivances or on economic panaceas; it was founded on the faith that was his heritage as a son of the Middle Border. His appeal to the hearts of his countrymen, his doctrine of love, his emphasis on sacrifice as the measure of greatness, his belief in majority rule, his devotion to the common man, his conception of good and evil, his revivalistic approach to social and economic problems, his confidence in God’s purpose as he understood it—all these are traceable to a mentality that found the values of an agrarian environment completely satisfying.”

Considering everything that has been happening in the last quarter century, that mentality does not look quite as ridiculous as it may have seemed a decade or two ago.