|
THE TIME MACHINE
|
Two Hundred Years Ago
On April 10 President George Washington signed the nation’s first patent law, enacted under Congress’s constitutional power to “promote the Progress of science and useful Arts.” The law stipulated that any two members of a patent board, made up of the Secretary of War, the Attorney General, and the Secretary of State, could grant a fourteen-year patent to “any useful art, manufacture, engine, machine, or device, or any improvement thereon not before known or used.” The Secretary of State, Thomas Jefferson, opposed the granting of monopolies, but he assumed the board’s main responsibilities because he hoped the patent law would stimulate American science. Though Jefferson’s high standards of originality and utility permitted the board to grant only three patents in 1790, he welcomed the new nation’s “spring to invention.”
|
|
One Hundred and Fifty Years Ago
President Martin Van Buren was by all accounts a likable man, but his cultivated manners were not seen as virtuous by the voters who had elected Andrew Jackson before him. The Whig party decided to exploit Van Buren’s reputation as an aristocrat in the 1840 presidential election by reviving the log-cabin populism with which Jackson had beaten them twelve years earlier.
On April 14 the Whig congressman Charles Ogle of Pennsylvania addressed the House of Representatives on the subject of Van Buren’s White House. The President had asked Congress for $4,675 to renovate the Executive Mansion, and Ogle greeted the request with a three-day tirade in which he mercilessly vilified Martin Van Buren. The packed galleries laughed and cheered as the congressman described a plumed and perfumed dandy “strutting by the hour before golden-framed mirrors, NINE FEET HIGH and FOUR FEET and a HALF WIDE,” in a “PALACE as splendid as that of the Caesars, and as richly adorned as the proudest Asiatic mansion.” Van Buren was too vain to eat “those old and unfashionable dishes, ‘hog and hominy,’ ‘fried meat and gravy,’ … [and] a mug of ‘hard cider,’ ” Ogle said. On the presidential table instead were gold utensils and “Fanny Kemble Green finger cups,” into which the President dipped his “pretty tapering soft, white lily fingers, after dining on fricandaus de veau and omlette souffle.”
The only response from the White House was a simple certification that “no gold knives or forks or spoons of any description have been purchased for the President’s house since Mr. Van Buren became the Chief Magistrate of the Nation.” Ogle published his “gold spoon oration” at his own expense, and copies that circulated throughout the country made him famous. Ogle had set the tone for the Whig campaign that was to propel Gen. William Henry Harrison, the “hard-cider man” and war hero, to an overwhelming victory in November.
|
|
One Hundred and Twenty-five Years Ago
Gen. Philip Sheridan’s Federal cavalry divisions routed a Confederate position held by Gen. George Pickett on April 1 at Five Forks, Virginia, in the last major battle of the Civil War. Having turned the Confederate right flank, the Union commander Ulysses Grant ordered an attack on the center at Petersburg for the next morning.
Powerless before Grant’s immense army, Lee fled and informed Jefferson Davis that his government would have to abandon Richmond. Federal troops entered the Confederate capital on April 3, and President Lincoln visited the next day, displaying boyish pleasure as he sat in Davis’s chair.
Lee hoped to march south to join Joe Johnston in North Carolina, but Sheridan forced him westward through days and nights of helter-skelter fighting until his weary men came to rest finally at a small town called Appomattox Courthouse. “Now smash ‘em, I tell you, smash ‘em,” exhorted Sheridan, eager to finish the job. On April 9, as Grant prepared for one final crippling assault, a lone horseman emerged from the Rebel lines, a white flag waving from the staff he carried. The field of battle went silent as Grant and Lee arranged the terms of surrender. North and South, nearly four hundred thousand American soldiers had lost their lives in four years of war. Now it was over.
∗President Abraham Lincoln was mortally wounded at Ford’s Theater in Washington on April 14 by the actor and Confederate sympathizer John Wilkes Booth. Lincoln died at 7:22 the next morning in a nearby boardinghouse. Andrew Johnson took the presidential oath of office three hours later.
|
|
Seventy-five Years Ago
Bad press was nothing new to the Shubert brothers, but that didn’t mean they had to like it. Banning particularly negative critics from their theaters in Chicago, Boston, and New York seemed sensible to Jake, Lee, and J. J. Shubert, but the negative reviews kept coming. “I do not mind missing Shubert openings,” said one New York theater critic. “I can always go to the second night and see the closing.” When Alexander Woollcott of The New York Times found himself physically prevented from entering Shubert theaters after he had panned one of the brothers’ productions called Taking Chances, his paper decided to fight back. On April 4 the Times informed the Shuberts that their advertising was no longer welcome on the most important theater page in the city.
The paper secured an injunction against the Shuberts and gave Woollcott a by-line and a raise. Though the New York Court of Appeals sided ultimately with the Shuberts, American newspapers crucified the brothers as never before. After a year in which Woollcott was banned from twentytwo Shubert productions, the Times had noted a rise in circulation and its theater critic had become one of the most conspicuous public figures in the city. The Shuberts gave up in 1916, informing the Times that Woollcott was again acceptable and sending him a large box of Cuban cigars as a peace offering. “The whole thing went up in a puff of smoke,” a triumphant Woollcott said.
∗The heavyweight boxing champion Jack Johnson, a fugitive from the United States for two years, lost his title on April 5 to Jess Willard in Havana, Cuba. Johnson had fled the United States in 1913 to evade a prison sentence resulting from a conviction under the Mann Act, and Willard’s victory immediately sparked rumors that Johnson had made a deal to throw the fight in return for amnesty in the States.
Jack Johnson’s dominant boxing skills in the first decade of the century scandalized the many Americans who still believed in white racial superiority. Several cities banned films of Johnson’s victory over Jim Jeffries, the original “Great White Hope,” in 1910. But it was Johnson’s flamboyant personal life, which included marrying white women, that made him a target. Where no boxer could beat Johnson, the law did. “It comes down … to this unforgiveable blackness,” said W. E. B. Du Bois. “Wherefore we conclude that at present prizefighting is very, very immoral, and that we must rely on football and war for pastimes until Mr. Johnson retires or permits himself to be ‘knocked out.’”
Unwelcome in the capitals of Europe, Johnson agreed to fight Willard in Havana. “I did not care any more for the title of world’s champion than a child does for the stick from which the lollypop has vanished,” Johnson wrote later. “I despised it.” Johnson easily outpointed Willard for the first twentyfive rounds of the match but went down in the twenty-sixth. As the referee counted him out, Johnson held his knees in the air and shaded his eyes from the sun with both hands. At the count of ten Johnson stood and left the ring.
Boxing historians still debate whether Johnson threw the fight. In his autobiography, though, Johnson described an agreement with the fight’s promoter, Jack Curley, to lose the title for fifty thousand dollars and safe passage to the United States. The homesick boxer agreed, toying with Willard until he saw his wife in the crowd signal that she had received the “additional percentage … owed me if I lived up to my agreement to lie down.” Curley failed to provide the immunity he promised, and Johnson remained in exile, performing in exhibitions in Europe and Mexico. He finally surrendered to U.S. authorities in 1920 and served eight months of his original sentence in Leavenworth Prison.
|
|
Fifty Years Ago
The “phony war” ended on April 9, when Germany, after a quiet winter, invaded Denmark and Norway. Claiming a mission to “defend true neutrality in the north,” the German occupation forces rolled over the scant military resistance they met and quickly installed Nazi governments in both countries. The day after the invasion Iceland repudiated Denmark’s control over the island and declared itself an independent state.
∗In Chicago’s Comiskey Park on April 16, twenty-one-year-old Bob Feller pitched the only opening-day no-hit game in baseball history, leading his Cleveland Indians to a 1-0 victory over the White Sox. Feller went on to win a career-high twenty-seven games in 1940.
∗Alfred Hitchcock’s first American film, Rebecca, starring Laurence Olivier and Joan Fontaine, opened in April. Adapted from Daphne du Maurier’s novel, Rebecca was to be the only Hitchcock film to win the Academy Award for Best Picture.
|
|
Twenty-five Years Ago
NASA launched the first commercial satellite from Cape Kennedy on April 6. The Communications Satellite Corporation, a privately owned company that paid the government to put its eighty-five-pound Early Bird satellite into orbit, predicted the Comsat and others like it would revolutionize telephone, television, and teletype communications between distant parts of the world. “My goodness, now we’ll be able to call everybody!” said Vice-President Hubert Humphrey. “I don’t know if this is a good thing or not. We have enough telephone calls in the office already.”
∗Jack Nicklaus won the Masters golf tournament on April 11 in Augusta, Georgia. His score of 271 was a tournament record.
∗On April 26 at Carnegie Hall, Leopold Stokowski conducted the American Symphony Orchestra in the premiere performance of the Fourth Symphony of Charles Ives, who had died in 1954. The symphony, written between 1910 and 1916, had been reconstructed over the course of eleven years from fragments of rough manuscript that Ives had left to the Yale University Library. Further complicating the process was the complexity of the music itself, which at one point had twentyseven different rhythms going simultaneously and required the assistance of two subordinate conductors. Harold C. Schonberg’s review of the performance in The New York Times described a work of “wild polyrhythms, clumps of tonalities that clash like army against army, Whitmanesque yawps and—suddenly— the quiet of a New England church.”
Ives was an insurance man who wrote mercilessly complex music in his free hours and on weekends. Some of his compositions were simply unplayable. “Is it the composer’s fault that man has only ten fingers?” he once asked. An unabashedly American sensibility shone through all of Ives’s music, no matter how experimental; his most atonal pieces integrated themes from the hymns, folk songs, and patriotic marches he had grown up with.
—Arthur Nielsen
|
|
| |
|
|
|