In April of 1942 I enlisted in Psychological Research Unit 3 at the Santa Ana Army Air Base. I had written the story for a historical film called Ten Gentlemen from West Point, and when it played at the post theater I became a local celebrity and was promoted from private to sergeant and assigned to the Public Relations Office.

I was sent to an old movie studio near Hollywood on orders of Gen. Henry (“Hap”) Arnold, who had established the first Motion Picture Unit of the Army Air Corps to produce aviation training films and send combat camera units around the world. I presented my papers to the personnel officer, a handsome, friendly thirty-oneyear-old lieutenant with horn-rimmed glasses and reddish brown hair, named Ronald Wilson Reagan.

In 1937 Reagan had enlisted in the U.S. Cavalry Reserve as a second lieutenant. In April 1942 he was earning a thousand dollars a week as a movie star at Warner Brothers in Burbank when he was called to active duty at Fort Mason, San Francisco. Reagan expected to be shipped overseas, but when an eye examination showed him to be myopic, he was restricted to limited service in the continental United States.

After I saluted, he stared at me quizzically. “Haven’t I seen you somewhere before, Sergeant?”

“Could be, Lieutenant,” I replied. “I worked as a writer for seven months at Warner Brothers in 1939. We didn’t meet because the only actors who ate at the writers’ table in the greenroom were Errol Flynn and Humphrey Bogart.” What I couldn’t tell him was that the snobbish big-city writers, led by John Huston, regarded him as a small-town boy.

Reagan sent me to Capt. Robert Carson, head of production and a wellknown novelist who had co-written the classic A Star Is Born. Carson studied my papers and sergeant’s stripes. “So you’ve been in the Army for six months, like Ronnie Reagan?” I nodded. “And you completed your basic training and all that military crap?” I nodded again. “Well,” he said, “we’re lucky to get guys like you and Ronnie because the rest of us are really civilians pretending to be soldiers. We’re fresh from studio lots, and the younger boys are right out of the mailroom at Warner Brothers.

“Writing assignments will be coming up soon. But in the meantime, there’ll be odd jobs to keep you out of trouble.”

One of these “odd jobs” was acting in a film. I had done radio and stage acting but I’d never been on the screen, so it was with great anticipation that I reported to a hospital set. I was to play a pilot who had been shot down and badly burned.

The makeup people wrapped my face and head so that I looked like a mummy. The director ordered me to climb into a bed. He called out, “Lights, camera, action!” and my costar entered. It was Ronald Reagan, resplendent in a pilot’s uniform. He stood over me and asked how I was. Since my lips were bandaged, all I could make were muffled sounds. Reagan patted me sympathetically on the head and walked out.

The director praised us for a great performance. Several weeks later a general put me in charge of overseeing the narration on a film. I walked onto a recording stage and found Reagan waiting to read the script. He stared at me in astonishment. “What the heck is this all about?”

“It means,” I replied, “that I’m going to be your director.” I was twenty-five years old at the time but looked closer to nineteen.

“Look, son,” he began in a fatherly way, “I started out in this business as a radio announcer and then became a movie star. And you’re going to tell me how to read lines?”

“That’s what the general’s order says,” I countered.

A short heated discussion followed about whether a general in the field had the jurisdiction to dictate to the film unit. I suggested that Reagan call Washington to settle the dispute.

“No,” he said. “That won’t work. We’ve got too many inspectors telling us how to make movies. Let’s keep Washington off our backs and work it out between ourselves.”

I later came to think the shrewd compromise was an early indication of Reagan’s future as a politician. He recorded the narration two ways- my way and his way. Then Bob Carson decided which one he wanted to use.

That’s the way we worked it out for the next two and a half years. On subsequent projects, while waiting for the sound men to get their equipment ready, Reagan and I discussed the war and politics. We both were loyal Democrats and admirers of Franklin Roosevelt. I told him that I was working on Father Was President, a play in which Roosevelt was a minor character. The hero was Theodore Roosevelt.

After the war ended in August 1945, Paramount optioned the play for production at a local theater. When I told Reagan about this, he wished me luck.

“Who’s going to be playing President Roosevelt?” he asked.

“Albert Dekker,” I replied.

“Well, if it ever gets done as a movie, do you think there’s a chance of my being loaned out by Warner Brothers to do the part?”

I shook my head. “Ronnie baby,” I told him, “you’re only thirty-five. You’re too good-looking and young to play the part.”

He laughed. “Well, I could age. Gosh, it would be fun to play a President of the United States.”

The rest, as they say, is history.

—Malvin Wald lives in Sherman Oaks, California.

While a Navy lieutenant stationed at headquarters staff in London, I was one of the duty officers on Sunday, March 17, 1968, the day the “Vietnam Solidarity Campaign” stormed the American Embassy in Grosvenor Square.

The Navy headquarters is about a hundred yards from the embassy, so I was an eyewitness to the afternoon’s proceedings. Grosvenor Square is a small park with a statue of FDR on one side and the Four Freedoms carved on stone blocks around the statue. Like all parks in England, and especially in London, it is very well kept, with green lawns and beautiful trees enclosed in a perfectly trimmed hedge.

The rally started with speeches at Trafalgar Square, including one by the actress Vanessa Redgrave. These lasted about an hour, and then a mass march to the U.S. Embassy began. It was reported that the crowd in Trafalgar Square was in excess of ten thousand, but I was sure that count was low. The Metropolitan Police directed them into Grosvenor Square and kept them a healthy distance from the embassy. Redgrave, escorted by a police officer, approached the door of the embassy. She wore a white headband, a sign of mourning in Vietnam. Ambassador David Bruce appeared in the doorway, and she presented him with a petition. She was escorted back to her place in the crowd. As soon as the violence began, she was whisked away from the scene.

Immediately the huge plate glass windows of the embassy’s facade started to bleed. The crowd was throwing homemade blood bombs. Some windows started to crack under a bombardment of stones and old English pennies. As small groups of protesters charged the embassy, the police subdued them and herded them onto large green buses to be placed under arrest. After nearly an hour the officer in charge cried out, “Bring on the horses!” From the far side of the square mounted police galloped in to help. They formed a line and pushed the crowd away from the embassy and into the square, breaking the demonstrators up into smaller groups. Some fought back, hitting the horses and pulling policemen from their mounts. Others climbed trees and dropped onto the police. Another hour passed, and at last they began to disperse. I was in civilian clothes, so I decided to go take a close look at the “battleground.”

I was shocked at how real the blood on the windows and shops looked. I quickly realized that it was real blood. I later found out that twenty-five policemen had been injured in the fray. Many of the horses had to be shot because of their injuries.

A light rain was falling as I walked around Grosvenor Square. Amid the trampled Vietnamese flags, posters, and just plain rubbish lay an occasional broken tree limb heavy with buds. The holly hedges were mangled. The lawn looked as though it had been plowed by some mad farmer. I was sick at heart. As I returned to my flat, I thought, “It’s a good thing these people are pacifists. Think what it would have been like if they believed in war.”

—George Schmitt, a retired naval officer, Hues in Syracuse, New York.