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American Heritage MagazineSeptember 1997    Volume 48, Issue 5
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The tradition of distrusting government—almost any government—has such deep roots in the American past that a newcomer could justifiably think of the United States as a nation of a quarter of a billion near-anarchists. After all, it was Tom Paine, a major voice of the American Revolution, who declared that “government, even in its best state, is but a necessary evil; in its worst state, an intolerable one.” Is Paine too radical for you? Try, then, a congressman in the First Congress: “[All] governments incline to despotism, as naturally as rivers run into the sea.” Or President Jefferson, in his 1801 inaugural: A “wise and frugal government which shall restrain men from injuring one another…[and] leave them otherwise free to regulate their own pursuits is the very “sum of good government.” Or our national sage, Emerson, some years later: “The less government we have, the better.”

One could go on indefinitely netting sentiments like these from the mainstream of American discourse. Yet for a people who seem to be inherently skeptical of government, we have, after two centuries of national existence, an unbelievably generous amount of it. Even those of us who have friendly—or at least explanatory—words to say on behalf of “big government” can’t deny the gargantuan size of the creature. A glance at the federal establishment alone, which usually provokes the loudest critical outcries, is sobering. A handy Information Please Almanac informs me that at the end of 1991 the total number of civilian federal employees, rounded off to the nearest thousand (a practice that we shall follow throughout this excursion), was 3.103 million. Their payroll for the single month of October (likewise in round numbers) was $9.687 billion. State and local governments left those numbers in the shade; they employed 15.455 million workers and paid them, in the same month, more than $31 billion.

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Feature Stories 
 
SUPER MARIO NATION
The video game turns twenty-five years old this year, and it has packed a whole lot of history into a career that began in the restless imagination of a bright kid who was hanging out with the M.I.T. model-railroad club.
by Steven L. Kent
AMONG THE COWBOYS
They carry on an elemental American tradition that is surprisingly recent and has been dying for half the time it’s been alive—but will be with us for a long time yet.
by Alex Shoumatoff
THE HERETIC
At the height of the American avant-garde movement, Fairfield Porter’s realistic paintings defied the orthodoxy of Abstract Expressionism—and risked rejection by the art world. But today his true stature is becoming apparent: He may just be the best we have.
by David Lehman
 
 
 
Departments 
 
In the News
by Bernard A. Weisberger
The Business of America
by John Steele Gordon
The Time Machine
by Frederic D. Schwarz
 
 
 
 
 

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