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The Myth Of The Happy Yeoman
Changing times have revolutionised rural life in America, but the legend built up in the old days remains a powerful force
April 1956 | Volume 7, Issue 3
Among the intellectual classes in the Eighteenth Century the agrarian myth had virtually universal appeal. Some writers used it to give simple, direct, and emotional expression to their feelings about life and nature; others linked agrarianism with a formal philosophy of natural rights. The application of the natural rights philosophy to land tenure became especially popular in America. Since the time of Locke it had been a standard argument that the land is the common stock of society to which every man has a right—what Jefferson called “the fundamental right to labour the earth”; that since the occupancy and use of land are the true criteria of valid ownership, labor expended in cultivating the earth confers title to it; that since government was created to protect property, the property of working landholders has a special claim to be fostered and protected by the state.
At first the agrarian myth was a notion of the educated classes, but by the early Nineteenth Century it had become a mass creed, a part of the country’s political folklore and its nationalist ideology. The roots of this change may be found as far back as the American Revolution, which, appearing to many Americans as the victory of a band of embattled farmers over an empire, seemed to confirm the moral and civic superiority of the yeoman, made the farmer a symbol of the new nation, and wove the agrarian myth into his patriotic sentiments and idealism.
Still more important, the myth played a role in the first party battles under the Constitution. The Jeffersonians appealed again and again to the moral primacy of the yeoman farmer in their attacks on the Federalists. The family farm and American democracy became indissolubly connected in Jeffersonian thought, and by 1840 even the more conservative party, the Whigs, took over the rhetorical appeal to the common man, and elected a President in good part on the Strength of the fiction that he lived in a log cabin.
The Jeffersonians, moreover, made the agrarian myth the basis of a strategy of continental development. Many of them expected that the great empty inland regions would guarantee the preponderance of the yeoman—and therefore the dominance of Jeffersonianism and the health of the state—for an unlimited future. The opening of the trails-Allegheny region, its protection from slavery, and the purchase of the Louisiana Territory were the first great steps in a continental strategy designed to establish an internal empire of small farms. Much later the Homestead Act was meant to carry to its completion the process of continental settlement by small homeowners. The failure of the Homestead Act “to enact by statute the leesimple empire” was one of the original sources of Populist grievances, and one of the central points at which the agrarian myth was overrun by the commercial realities.
Above all, however, the myth was powerful because the United States in the first half of the Nineteenth Century consisted predominantly of literate and politically enfranchised farmers. Offering what seemed harmless flattery to this numerically dominant class, the myth suggested a standard vocabulary to rural editors and politicians. Although farmers may not have been much impressed by what was said about the merits of a noncommercial way of life, they could only enjoy learning about their special virtues and their unique services to the nation. Moreover, the editors and politicians who so flattered them need not in most cases have been insincere. More often than not they too were likely to have begun life in little villages or on farms, and what they had to say stirred in their own breasts, as it did in the breasts of a great many townspeople, nostalgia for their early years and perhaps relieved some residual feelings of guilt at having deserted parental homes and childhood attachments. They also had the satisfaction in the early days of knowing that in so far as it was based upon the life of the largely self-sufficient yeoman the agrarian myth was a depiction of reality as well as the assertion of an ideal.
Oddly enough, the agrarian myth came to be believed more widely and tenaciously as it became more fictional. At first it was propagated with a kind of genial candor, and only later did it acquire overtones of insincerity. There survives from the Jackson era a painting that shows Governor Joseph Ritner of Pennsylvania standing by a primitive plow at the end of a furrow. There is no pretense that the Governor has actually been plowing—he wears broadcloth pants and a silk vest, and his tall black beaver hat has been carefully laid in the grass beside him—but the picture is meant as a reminder of both his rustic origin and his present high station in life. By contrast, Calvin Coolidge posed almost a century later for a series of photographs that represented him as haying in Vermont. In one of them the President sits on the edge of a hay rig in a white shirt, collar detached, wearing highly polished black shoes and a fresh pair of overalls; in the background stands his Pierce Arrow, a secret service man on the running board, plainly waiting to hurry the President away from his bogus rural labors. That the second picture is so much more pretentious and disingenuous than the first is a measure of the increasing hollowness of the myth as it became more and more remote from the realities of agriculture.