- Historic Sites
Seeing And Hearing History
April 1955 | Volume 6, Issue 3
Songs and ballads closely connected with American history bring the past to life on recent long-playing recordings. Three new releases from Folkways (117 West 46th Street, N.Y. 36) continue the series of historic music started with Ballads of the American Revolution .
Military and political events between 1791 and 1836 are harmonized in the collection, War of 1812 (FP-48-3 and FP-48-4, one 10-inch recording each; or FP-5002, two 10-inch discs boxed). Starting with “On the Eighth Day of November,” the date of an Indian attack on troops under General St. Clair in 1791, the 25 selections conclude with “The Soldiers’ Song,” a tune from the Aroostook War. In between are fourteen titles relating to the war, most of which were inspired by events on the high seas—such as “The Constitution and the Guerriere ,” “The Hornet and the Peacock ” and “The Shannon and the Chesapeake .”
Political events are recalled in “Jefferson and Liberty,” “The Hunters of Kentucky,” “Andrew Jackson,” and “The Harrison Song.” Along with “Hail, Columbia” and “Star-Spangled Banner” are pieces of a lighter quality—“Benny Havens,” “The Yankee Volunteer,” “The Battle of Stonington,” and others. Wallace House, with lute accompaniment, gives a lively—perhaps in some numbers even too lively—performance. But his style seems highly appropriate for the music of the young nation.
By the time of the Civil War musical styles had been altered by improvements in communication and the participation of the general population in warfare. Songs about events of the war were replaced by sentimental and emotional ditties. The Folkways recording of Ballads of the Civil War (FP-48-7 and FP-48-8 or FP-5004) clearly indicates the changes in popular music of the period. All but two titles—“Davy Crockett” and “Santa Anna”—in this musical survey of the years from 1831 to 1865 bear on the conflict.
The battlefield brought forth few musical documents, however; here, only “General Patterson,” “The Cumberland’s Crew,” “Cumberland Gap,” and “Longstreet’s Rangers” had such origins. But these selections are not so prominent or telling as the sentimental melodies: “Lorena,” “When the Cruel War Is Over,” “Charleston Jail,” and “All Quiet Along the Potomac.” The rest of the cross section consists of patriotic and good-humored comments. Texan Hermes Nye sings with vigor as well as impartiality the music of a divided nation.
Historically important and musically significant, these collections enrich our contacts with history. It is unfortunate that the music was not so well documented as the historic subjects. It is equally distressing that the booklet illustrations and decorations could not have been reproduced with greater clarity.
Frontier Ballads , the last of the current Folkways recordings of musical Americana (FP-48-5 and FP-48-6 or FP-5003), furnishes an impression of a restless, growing nation. As examples of our heritage of folk music, the twenty varied titles provide an extremely broad view of frontier experiences.
Listeners will be interested in the musical illustrations of the “Immigrants,” “The Trek,” and “The Settlers.” Farmer, cowboy, canalman, lumberman, miner, railroader, and drover are all subjects of this collection. There is excitement, humor, despair, pride, and exaggeration in these tunes. They are performed with understanding and exuberance.
A brilliant panorama of mid-Nineteenth Century America comes to view in the Museum Extension Service (10 East 43rd Street, N.Y. 17) 35mm filmstrip, Currier and Ives America . This filmstrip reproduces forty typical lithographs of the “Printmakers to the American People.” Once again, the whole pattern of Americans at home, at work, and at play are displayed in the familiar style.
These scenes of colorful surroundings and lively activities are attractive views of American life from 1845 to 1883. Most of the pictures date from the 1860’s. They show everyday pursuits—subjects Currier and Ives turned out in faithful detail and fascinating appeal.
Another notable portrayal of the American scene is also available in filmstrip form from the same producer. Audubon’s Birds and Audubon’s Animals concentrate on the natural surroundings of the United States a century ago. Each of these strips consists of representative Audubon portraits of birds and animals.
Three recent filmstrips supply a visual record of the American experience from the first colonial settlements to the time of the War of 1812.