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John Trumbull

The little town of Lebanon, Connecticut, played a larger role in the Revolution than Williamsburg, Virginia, did. And it’s all still there.

Natives of eastern Connecticut like to say that except for Boston and Philadelphia, the village of Lebanon stands first in America in Revolutionary importance.

Some of our finest public buildings were designed by a tormented young English architect whom the world has forgotten

George Hadfield was one of the most distinguished architects ever to practice in this country, yet he is so little known that no book has been written about him and very little has been published in architectural journals.
It is an interesting paradox that, of the two most famous paintings of Bunker Hill, the one that most suggests a real battle was painted by Pyle, the illustrator who lived long afterward, and not by John Trumbull, the painter who saw it (albeit from a distance) and served briefly in the Revolution (see AMERICAN HERITAGE , June, 1958).

The canvases of John Trumbull, sometime soldier, reluctant artist, have given us our visual image of the colonies’ struggle to be free

At the end of October, 1797, the year V of the French Revolution, a 41-year-old American artist named John Trumbull was stranded in Paris. The government was in peril and the capital was near chaos.

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