Eight generations back, the author discovered a forebear hanging on the family tree
WHEN A PUBLICATION wants to illustrate the story of Salem witchcraft, it often runs the painting The Trial of George Jacobs for Witchcraft , which hangs in the Essex Institute, Salem’s historical archive. The central figure, an old man with long, white hair, is kneeling before the court, with arms outstretched, asking mercy. A few feet away a girl of sixteen is pointing an accusing finger at him; she is his grand-daughter, Margaret.Read more »