No other impresario ever matched the record of the indomitable Max Maretzek in bringing new works and new stars to America
He was called “the indomitable Max,” “the indefatigable Max,” “the hardy pioneer,” “the Napoleon of Opera.” About that Napoleonic designation Max Maretzek himself disagreed. It would be more accurate, he ruefully said, if he were described as the Don Quixote of Opera. And in a way he was right. For some forty years the indomitable, indefatigable Max tilted at the American public and at assorted singers, mostly Italian, making and losing fortunes in the process.Read more »