In Clare Briggs’s cartoons nobody got chased by twenty cops, nobody broke a plank over the boss’s head, nobody’s eyes popped out on springs. People just acted the way people do, and as a result, the drawings still make us laugh.
Fortunately for young, unemployed Clare Briggs, the new technology of halftone photography had not yet reached Missouri. In 1896 the St. Louis Globe-Democrat was still illustrating the news with pen-and-ink drawings and needed another sketch artist. Briggs, a dropout from the University of Nebraska, with only one printed sample in his portfolio, applied for the job and, much to his surprise, got it. Read more »