Fewer than half of O. Henry’s short stories actually take place in New York, but we still see the city through his eyes
For most of this century, and often against the starkest evidence, New York City has persisted in seeing itself as “Baghdad on the Subway,” an Arabian Nights swirl of color, motion, tough characters with soft hearts, soft characters with sturdy hearts, tinsel, tears, and laughter. This is largely O. Henry’s doing.Read more »