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Working for a magazine is the perfect job for a dilettante, a dabbler in history

Sometimes when someone asks me why I like working for this magazine, I say it’s the perfect job for a dilettante. I’m a dilettante—a dabbler in history—and I’m glad.

When many of our greatest authors were children, they were first published in the pages of St. Nicholas

At first, it might seem F. Scott Fitzgerald, Edna St. Vincent Millay, Eudora Welty, and E. B. White have little in common besides their country of birth and their line of work.

At the turn of the century, a crusading magazine editor exhorted women to seek peace of mind and body through simplicity. For a generation, they listened.

FOR THE THIRTY YEARS between 1889 and 1919, Edward Bok and the magazine he edited—Ladies’ Home Journal—exerted a profound influence over middle-class American values.

They could hardly have been more temperamentally incompatible, but the Midwestern writer Willa Cather and the crusading editor S. S. McClure enjoyed a splendid working relationship for six years and a lifetime of mutual respect

Willa Cather did not publish her first novel until she was almost forty.

Our fascination with categorizing ourselves was fed in 1949 by a famous essay and chart that divided us by taste into different strata of culture. Now the man who invented these classifications brings us up to date.

RUSSELL LYNES , despite being known to his friends as the most amiable of men, is nationally famous as a witty and sometimes acerbic commentator on American society and its manners.

was the first magazine in America to change its cover for every issue. And these covers may still be the best graphic art magazine has ever produced.

 

The sad story of a magazine born eighty years too soon

Some time ago a man lit on a publishing idea that seemed obvious enough but apparently had never been tried before: since people are most interested in the doings of famous people, why not devote a magazine to just that?

LIFE and LOVES of the FATHER of the CONFESSION MAGAZINE

In 1950 a biographer of the elderly Bernarr Macfadden—who by then was known primarily as an octogenarian health fanatic who took a parachute jump each year on his birthday—remarked that his subject’s boyhood adventures bore “a stunning resemblance to the pulp
Oliver Jensen, who was for many years the editor of this magazine and who worked with Bruce Catton from its first publication in 1954, has written this account of what it was like to have him as a colleague. We are pleased to run it here as a tribute to our late distinguished senior editor, together with some side comments from others who enjoyed the privilege of “working with Bruce Catton.”

A. B. Frost faithfully recorded the woodland pursuits of himself and his affluent friends

Arthur Burdett Frost, who at the turn of the century was perhaps the best-known and most popular illustrator in America, sketched and painted his way from relatively humble beginnings to hobnobbing with the leisure class.
“What a sacred office is that of the parent!” exclaimed an anonymous contributor to The Parent’s Magazine in December, 1840.

The lady author modelled her famous fictional creation after her own wonder boy —and condemned a generation of “manly little chaps” to velvet pants and curls

In the November, 1885, issue of St.

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