BACK BEFORE CLAUS VON BULOW ever heard of Jeremy Irons, a judge who found the news media’s attitude toward the case puzzling put a question to a friendly television reporter.
“Why do you people treat this as a big-deal court matter? It’s not precedent-setting. The lawyers are good, but they’re hardly headliners. You don’t even have a murder. Nothing, in fact, but sex and money.”
“What else do you need?” asked the reporter.
Well, one would have to admit, nothing, if the legal system’s role is entertainment. In a sense, we do think of the courtroom as theater. Every trial is inherently a dramatic production, a play, with plot, actors, audience, even authoritative critics whose collective review permanently determines success or failure. Perhaps that is why from the country’s earliest times ordinary people have derived pleasure from merely watching lawsuits.