The face stares at us across time, a haunting patina of sadness clinging to its outsized features. It is a strong, young face—surely innocent of, yet somehow foreshadowing, the bloody future that lay ahead for America. Its owners say it is the very first photographic portrait of Abraham Lincoln, a precious, hitherto unknown sixth-plate daguerreotype made in Springfield at the time Lincoln had risen no higher in politics than the Illinois legislature. Its detractors argue that it is merely a look-alike. Although collectors uncover so-called new and unknown Lincoln photographs with numbing regularity—images invariably proven spurious—this portrait is different. It comes with a pedigree, having descended from the family of the sixteenth President’s own private secretary. Feature by feature, the subject is uncannily Lincolnesque—even if the overall impression fails to mesh with his known photographs (not surprising, since all but one were taken at least fourteen years later).