Some years ago, I had the opportunity to look through a collection of photographs of New York in the 1920s with the amiable old man who had made them then for a news agency. There were hundreds of pictures of every section of the city, and I was struck with the total absence of black faces in any of the busy street scenes. “Why was that?” I asked.
The old photographer looked at me as if I had lost my mind. He’d worked hard to arrange things that way, he explained; his boss docked his pay five dollars for every image in which blacks appeared; their presence made the pictures unpublishable: “Nobody wanted them.”