A good party is better than the best man that ever lived.” So said “Czar’ Thomas B. Reed, the formidable late-nineteenth-century Speaker of the House of Representatives. He was talking about his own Republican party, of course, and “Elephant Joe” Josephs, the gloriously partisan artist whose proud self-portraits appear here, would have agreed enthusiastically. For no more impassioned Republican ever drew breath than this one-man GOP whirlwind from Buffalo, New York. Most of the time, Josephs was simply the city’s best-known sign painter, celebrated only for his flamboyantly decorated shop (see A MERICAN H ERITAGE , February, 1975), and for his habit of handing out miniature elephants as a personal trademark to potential customers. But every four years between 1856 and 1880, at presidential election time, Josephs became a man obsessed.