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September 2025

Editor's Note: a number of years back, American Heritage produced reproductions of come of the most important early maps of America. An accompanying booklet provided interesting information that never appeared in the magazine, so we have digitized and edited it and added it here.

Ever since man scratched lines in the dust to describe the lay of the land around him, he has been fascinated by the problems of how to draw an accurate picture of his world. Very early — if not in primitive times, at least in antiquity — the map maker learned all the elements of scientific cartography. What he lacked for a long time were the proper tools to map large areas: the telescope, to determine latitude, and the pendulum clock, for longitude. In the meantime, his picture of the world fitted in between heaven above and hell below.

Editor's Note: One of the preeminent historians of our time, William Leuchtenburg published his first essay in American Heritage in 1957. We were saddened to hear he had passed away earlier this year, but also delighted that he was able to publish a last book of essays entitled, Patriot Presidents: From George Washington to John Quincy Adams. We thank Oxford University Press for allowing us to adapt one of the essays.

At no time in our history has there been so illustrious a gathering as the corps of delegates who came together in the State House (Independence Hall) in Philadelphia late in the spring of 1787 to frame a constitution for the United States of America. After Thomas Jefferson, the country’s envoy in Paris, ran his eyes over the roster, he wrote his counterpart in London, John Adams, “It really is an assembly of demigods.

Yet, distinguished though they were, the delegates had only the foggiest notion of how an executive branch should be constructed. Not one of them anticipated the institution of the presidency as it emerged at the end of the summer. 

Editor’s Note: excerpted from The Noise of Typewriters: Remembering Journalism, by Lance Morrow

Clark Gable talks to Colette Colbert in It Happened One Night. Columbia Pictures
A reporter played by Clark Gable struck up a conversation with a runaway heiress on a bus, played by Colette Colbert, in It Happened One Night. Columbia Pictures

I have an afterimage of Clark Gable at the bus station in a trench coat, with his crooked smile, his shabby integrity. That, of course, is from It Happened One Night (1934). Frank Capra in his movies in the 1930s created morality plays about American journalism, turning newspaper reporters into Everyman, their consciences an ongoing test of the country’s notion of its emotional reflexes and decencies.

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