Throughout his working life, Thomas Easterly’s St. Louis acquaintances knew him as “the daguerrean,” a title that reflected the man’s stubborn espousal of the first photographic method known in America. Long after his colleagues had adopted newer techniques, Easterly stuck by his belief in its superior qualities. “Save your old Daguerreotypes,” he urged, “for you may never see their like again. … By no other process can so perfect and durable a likeness be produced and every unprejudiced artist will bear testimony to what we assert.”