“Painting is dead!” cried a French artist when he saw his first photograph about 1840. But painting was not dead at all: it survived the arrival of photography with surprising vigor. And if there was one branch of art that held its own more steadily than others, it was genre painting, the kind of thing to which this portfolio is fondly devoted.
The camera, despite its reputation for veracity, often fudges considerably on the truth. Even the best lens distorts reality somewhat, and the film used throughout most of photographic history deprives the world of color. Moreover, the camera depicts the particular—the individual piece of reality confronted by the lens. When a photograph manages to show the typical rather than the particular, it is usually a lucky accident.