Extraordinary correspondence, never published before, takes us inside the mind of a military genius. Here is William Tecumseh Sherman in the heat of action inventing modern warfare, grieving the death of his little boy, struggling to hold Kentucky with levies, rolling invincibly across Georgia, and—always—battling the newspapermen whose stories, he believes, are killing his soldiers.
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During the Depression, itinerant photographers hawked their services from town to town. All we know about this one is that he passed through Corpus Christi, Texas, in 1934. And that he was very good indeed.
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She played the war, learning to creep through the woods without leaving footprints or snapping twigs. She read and dreamed about the war, lying on her bed, limp with horror and delight. The history of the war was a drug and she was an addict.
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In July 1911 the author’s father climbed a remote ridge in Peru to discover, amid an almost impenetrable jungle, the fabled lost city of Machu Picchu, last capital of the Inca Empire. Or so the story goes.
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Their High Command abandoned them. Their enemy thought they wouldn’t fight. But a few days after Pearl Harbor, a handful of weary Americans gave the world a preview of what the Axis was up against.
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Born in response to the shoddy, machine-made goods available in the marketplace, the Arts and Crafts movement in America began in isolated workshops and spread to the public at large, preaching the virtues of the simple, the useful, and the handmade
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