Skip to main content

Allen Barra

Allen Barra is a sports journalist who writes regularly for The Wall Street Journal. He formerly served as an editor for American Heritage, where he wrote about 20th century sports and popular culture. His 2009 book, Yogi Berra: Eternal Yankee, was followed by Rickwood Field: A Century in America's Oldest Ballpark in 2010.

Articles by this Author

Geoffrey C. Ward's New History of World War II
Gene Wilder discusses his new World War I adventure
Why 1848?, February/March 2007 | Vol. 58, No. 1
Kurt Andersen gives a neglected year its due
Robert Altman
Just as the year changed the nation, so its World Series changed American sports.
In 1964, the most popular movie star in America had a license to kill from the British government.
The creator of the immensely popular new Western discusses what makes it truly new.
Grim Reapings, June/July 2006 | Vol. 57, No. 3
The classic that seeped into "Deadwood"—and many other Westerns.
What does the only Western on television today have in common with the most popular TV Western ever?
Act One, February/March 2006 | Vol. 57, No. 1
All the President’s Movies
A spectacular and painstaking PBS series brings the war to the screen
10 films that helped shape a generation
Football Coach, October 2005 | Vol. 56, No. 5
Dashiell Hammett
The Hidden Brando
Slavery Televised
Screenings, June/July 2004 | Vol. 55, No. 3
And starring Pancho Villa as himself
Screenings, April/May 2004 | Vol. 55, No. 2
My Darling Clementine
The 50 Biggest Changes in the Last 50 Years
Gods and Generals
Frontiersman, October 2003 | Vol. 54, No. 5
Screening, June/July 2003 | Vol. 54, No. 3
The San Patricios
Film Director, September 2001 | Vol. 52, No. 6
Show Business, June 2001 | Vol. 52, No. 4
A critic looks at 10 movies that show how Americans work together.
Gangster, May/June 1999 | Vol. 50, No. 3
From law officer to murderer to Hollywood consultant: the strange career of a man who became myth

"WEB ONLY STORIES" BY THIS CONTRIBUTOR

Matt Damon and Robert De Niro, who also directed, in The Good Shepherd. (Universal Pictures) When it works, and it works for much of its two hours and 40 minutes, Robert De Niro’s The Good Shepherd feels like a film version of a John le Carré novel directed by Francis Ford Coppola. It’s about the…
Ken Watanabe, at right, plays General Kuribayashi in Letters From Iwo Jima. There is no film director of our time whom the majority of critics want to more passionately line up behind than Clint Eastwood. Future generations of film students may puzzle over why they’re supposed to venerate such…
Sharon Stone and William H. Macy, husband and wife in Bobby. It’s hard to imagine a stranger convergence of influences than have come together in Emilio Estevez’s Bobby. Who would have thought that so many actors (all of whom, apparently, worked in this film for less than their usual fees) were…
I can’t think of a worse title for a movie than Fur, and I can’t think of a less appealing scene in any film ever made than the one in Fur where Diane Arbus, played by Nicole Kidman, shaves several pounds of hair from Robert Downey, Jr.’s body. I thought I’d get that out of the way at the outset…
Borat sings “The Star-Spangled Banner” at a Texas rodeo. Borat, the new “mockumentary” by the British comic Sacha Baron Cohen, subtitled “Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan,” has made a swarm of film critics dizzy trying to pin down the film’s—and Cohen’s—…
Just outside Tombstone in the early 1940s. (Library of Congress) I once asked Johnny Cash what he thought of his reputation as a living legend. “There’s no such things as a living legend,” he replied. “You don’t know if you’re a legend until you’re a legend after you’re fact.” By that definition,…
The flag goes up in Clint Eastwood’s new movie. Clint Eastwood seems to have generated a phalanx of critics who are willing to take his films on precisely the terms on which he presents them. Flags of Our Fathers, co-produced by Eastwood, Steven Spielberg, and Robert Lorenz, and co-written by…
Martin Scorsese’s The Departedis a fascinating piece of Cuisinart filmmaking that brings together all the leading elements of gangster films in this young century. It has a plot from a Chinese film derived from a century of American gangster films—the monstrously successful (in the rest of the…
Sean Penn as Willie Stark, Robert Penn Warren’s version of Huey Long (Columbia Pictures) There’s nothing more disappointing than a labor of love that arrives stillborn. All The King’s Men, the long-delayed film from screenwriter (Gangs of New York) and director (Searching for Bobby Fischer) Steven…
The Black Dahlia brings together two of the most stylized masters of violence in American arts, Brian De Palma—it’s his first film in four years and just his third in this century—and the novelist James Ellroy, whose L.A. Confidential was made into a much-admired film by Curtis Hanson in 1997. De…