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Opera
The great Czech composer arrived on these shores a century ago and wrote some of his most enduring masterpieces here. Perhaps more important, he understood better than any American of the day where our musical destiny lay.
I did not come to America to interpret Beethoven or Wagner for the public. That is not my work and I would not waste any time on it. I came to discover what young Americans had in them and to help them express it.” Read more >>
The great tenor came to America in 1903, and it was love at first sight—a love that survived an earthquake and some trouble with the police about a woman at the zoo
WHEN, ON COLUMBUS DAY OF 1980 , the operatic superstar, Luciano Pavarotti, sitting on a bay horse, his massive bulk arrayed in fancy dress, jounced up New York’s Fifth Avenue at the head of the annual parade celebrating the discovery of Am Read more >>
The story of the world’s longest-running radio program and the extraordinary American music it helped make popular
The Nashville winter of 1974 was the Grand Ole Opry’s last season at the Ryman Auditorium, its home for thirty-three years. Read more >>
Jenny Lind and P.T. Barnum
When it comes to the performing arts, Americans have often suffered from a sense of cultural inferiority. Foreign artists are considered somehow better—more glamorous, more gifted, more refined—than our own. Read more >>
No other impresario ever matched the record of the indomitable Max Maretzek in bringing new works and new stars to America
He was called “the indomitable Max,” “the indefatigable Max,” “the hardy pioneer,” “the Napoleon of Opera.” About that Napoleonic designation Max Maretzek himself disagreed. Read more >>
AN IMPRESARIO NAMED HAMMERSTEIN SET HIS SIGHTS ON TUMBLING AN INSTITUTION CALLED THE MET
The curtain of the Manhattan Opera House rose for the first time at nine o’clock on the night of December 3, 1906. Read more >>
New York received the great composer like a god; he responded con brio to its shiny gadgets and beautiful women and produced an “American” opera.