Trusted Writing on History, Travel, Food and Culture Since 1949
New York City
The British seize Manhattan from the Dutch—and alter the trajectory of North American history
On September 5, 1664, two men faced one another across a small stretch of water. Read more >>
Theodore Roosevelt, his widow recalled, watched Lincoln’s funeral from his grandfather’s house
Working on this, our twenty-first annual travel issue, reminded me that I am fortunate enough to have a most agreeable travel destination virtually under my feet. This is the Forbes Galleries in the company’s headquarters at 62 Fifth Avenue in New York City. I first visited them 20 years ago. Read more >>
. . . was a lot bigger than yours. Here’s why you should care.
It has been the received wisdom of the suburban age that kids grow up better in the country, where there is access to fresh air, trees, wildlife (although not too much of it, please), and other good things. Read more >>
A never-before seen report shows just how fragile our great cities were—and are
There was a time when urban Americans weren’t afraid of terrorists, bombs, and poison gas. The worst thing that could happen in a city was a strike. Cities were unprepared for labor walkouts because nobody could tell who would strike or when and where. Mayors saw to it that they kept on good terms with unions. Read more >>
Discovering what a particular time in Harlem says about the whole nation
The City of Churches and Henry Ward Beecher, of Walt Whitman, Coney Island, and a famously departed baseball team is ready for its next act—as a world-class tourist destination
In 1800 the United States was an underdeveloped nation of just over 5 million people. It was a society shaped by immigration, but immigrants from one country, Great Britain, made up around half the population. Read more >>
In a nation of immigrants, picking 10 books about the immigrant experience is no easy task. One could plausibly argue that any book about post-Columbian America concerns the immigrant experience. Read more >>
The Stars and Stripes take to the streets
Politics
Martin Scorsese has drawn on his own youth and his feelings about the past—and has rebuilt 1860s New York—to make a movie about the fight for American democracy. Here he tells why it is both so hard and so necessary to get history on film.
I spoke with Martin Scorsese in early September about his forthcoming movie Gangs of New York. The setting was the Park Avenue offices of his Cappa production company, where he was still hard at work, editing and finishing his film. Read more >>
On Manhattan’s Lower East Side you can visit a haunting re-creation of a life that was at once harder and better than we remember
One of America’s greatest documentary filmmakers takes on America’s greatest city: Ric Burns discusses his new PBS series, New York
How a mass killing 150 years ago made today’s New York a better place
The children are back at Columbine High School now— if they can still truly be called children after the terrible violence perpetrated upon them. We can only hope that the murder of twelve of their classmates was a random moment of madness. Read more >>
How a tireless impresario parlayed a cloud of smoke into several fortunes
If you walk through the business districts of American cities these days, in even the worst of weather, you will see underdressed people huddled in doorways. No, they’re not homeless; they’re smokers. Read more >>
He excelled at business and made Macy's highly profitable. But Nathan Straus was even better at giving away his earnings to help people in need.
American art was hardly more than a cultural curiosity in the early years of this century. Now it is among the world’s most influential, and much of the credit belongs to a self-made woman named Juliana Force.
Today, when a painting by a living American artist fetches seventeen million dollars at auction, as a picture by Jasper Johns did last year, or when hundreds of people stand in line to get into a museum, as they did for the retrospectives of Edward Hopper, Wi Read more >>
The great buildings of the 1920s are standing all over Manhattan, preserving in masonry the swank and swagger of an exuberant era.
New York rebuilt itself in the twenties. The most anarchic, self-regarding, self-proclaiming city of them all achieved its new self by an astounding vertical leap that thrilled, disordered, delighted, and terrified the critics who tried to take its measure. Read more >>
A trackside album of celebrities from the days when the world went by train
A person used to enter New York City “like a god,” said the art critic Vincent Scully, but “one scuttles in now like a rat.” Read more >>
One of the country’ more bizzarre labor disputes pitted a crowed of outraged newsboys against two powerful opponents—Joseph Pulitzer and William Randolf Hearst
Joseph Pulitzer, nearly blind, suffering from bouts of depression, and so sensitive to sound he exploded when the silverware was rattled, managed his newspapers in absentia for the last twenty years of his life. Read more >>
A gathering of little-known drawings from Columbia
University’s Avery Architectural and Fine Arts Library illuminates two centuries of American building
ONE OF THE WORLD’S most renowned architectural institutions is named for a virtually unknown architect who died at age thirty-eight, too young to have made more than a promising start in his own career. Read more >>
The ceaseless clatter of cheap pianos from a mid-Manhattan side street was once music to all America
ONE DAY IN 1922 a young would-be composer named Richard Rodgers paid a call on Max Dreyfus, head of the publishing firm of T. B. Harms and dean of Tin Pan Alley. Read more >>
They could hardly have been more temperamentally incompatible, but the Midwestern writer Willa Cather and the crusading editor S. S. McClure enjoyed a splendid working relationship for six years and a lifetime of mutual respect
Willa Cather did not publish her first novel until she was almost forty. Read more >>
… illuminated by the hand-tinted slides that helped make it a hit
ONE NIGHT in 1888, from the stage of a Broadway theater, the actor DeWolf Hopper recited for the first time a poem about a ballplayer, known only as the Mighty Casey, who struck out. Read more >>
The city has been a lure for millions, but most of the great American minds have been appalled by its excesses. Here an eminent observer, who knows firsthand the city’s threat, surveys the subject.
EVERY THURSDAY , when I leave my apartment in a vast housing complex on Columbus Avenue to conduct a university seminar on the American city, I reflect on a double life—mine. Read more >>
J ohn Wenrich’s original drawings of Rockefeller Center helped attract tenants in the middle of the Depression. Fifty years later they survive as talismans of a golden moment in American architecture .
When John D. Rockefeller, Jr., announced his intention to build a great urban complex in December 1929, the project was meant to be “as beautiful as possible,” but it also had to be a solid business proposition. Read more >>
Americans don’t hesitate to say anything they please about a public performance. But the right to do so wasn’t established until the Cherry Sisters sued a critic who didn’t like their appalling vaudeville act.
The year 1896 found Oscar Hammerstein in trouble. He was in debt, and the acts he had brought to Broadway weren’t doing well. He was desperate. “I’ve tried the best,” he is reported to have said. “Now I’ll try the worst.” So he sent for the Cherry Sisters. Read more >>
Victorian art, collected for patriotism and profit, finds a home in a New York hotel 19
There is a stretch of some twenty blocks or so on upper Fifth Avenue known as Museum Mile, where art collections of every description fill former turn-of-the-century mansions that have been converted into galleries open to the public. Read more >>
To Vaux and Olmsted the entire park, with its crags and cascades and meadows, was a single work of art, minutely planned and painstakingly executed. Read more >>