ROBERT MOSES built small with the same imperial vigor as he built big, and at his behest the art of making scale-model cities reached its peak. The result still survives, and although few New Yorkers know about it, they can see their whole town—right down to their own houses or apartment buildings—perfectly reproduced.
THE 1893 WORLD’S COLUMBIAN EXPOSITION WAS SO WONDERFUL THAT EVERYBODY HOPED IT WAS A PROPHECY OF WHAT THE TWENTIETH CENTURY HELD IN STORE. BUT IN FACT, THE CITY THAT MOUNTED IT WAS.
New Yorkers recall 1939 as the year of the great World’s Fair in Flushing Meadow. But that’s just more Eastern provincialism. Take a look at what was going on in San Francisco.
With Epcot, Walt Disney turned his formidable skills to building a city where man and technology could live together in perfect harmony. The result is part prophecy, part world’s fair. Here, America’s leading authority on technological history examines this urban experiment in the light of past world’s fairs, and tells why it fails where they succeeded—and why that matters.
A REMARKABLE SOCIOLOGICAL EXPERIMENT SHOWED YOU COULD DO IT—IF YOU COULD STAND IT
The simple, affectionate water colors of an unassuming Scots immigrant, David J. Kennedy, bring back the Philadelphia of 1876 and our first great world’s fair