LETTER FROM THE EDITOR
LETTERS TO THE EDITOR
MATTERS OF FACT
POSTSCRIPTS TO HISTORY
THE TIME MACHINE
With Epcot, Walt Disney turned his formidable skills to building a city where man and technology could live together in perfect harmony. The result is part prophecy, part world’s fair. Here, America’s leading authority on technological history examines this urban experiment in the light of past world’s fairs, and tells why it fails where they succeeded—and why that matters.
How Hadley, Massachusetts, (incorporated 1661) coped with wolves, drunks, Indians, witches, and the laws of God and man.
A quarter-century of judicial history, as seen—and made—by our only retired Supreme Court justice, a man whose allegiance to the Constitution often forced him to act against his personal preferences.
Harry Truman’s lifetime correspondence with his adored Bess opens a window on their time
George Eastman didn’t think the posters the movie companies supplied were good enough for his theater. So he commissioned a local artist to paint better ones.
It was a suburb of orange blossoms and gardens, of gracious homes and quiet, dignified lives—until a regrettable class of people moved in.
With the Depression pushing the studio toward bankruptcy, Warner Brothers had to resort to crime—and crime paid so well that the company was able to recruit the toughest guys that ever shot up a sound stage.
It was a great life being a contract writer for a major studio during the high noon of the American movie industry—but it could also be a nightmare. A survivor recalls the pleasures and ardors of working at 20th Century-Fox forty years ago.
Some of the best moments in hundreds of movies took place at Christmastime. And the author may have seen every one of them.
Was the murdered President one of our best, a man of “vigor, rationality, and noble vision” or was he “an optical illusion,” “an expensively programmed waxwork”? A noted historian examines the mottled evolution of his reputation.